Showing posts with label Action. Show all posts
Showing posts with label Action. Show all posts

Sunday, June 26, 2011

The Naked Spur [1953]


James Stewart starred in a number of Anthony Mann films, and The Naked Star is usually considered the their best collaboration. One of the early examples of revisionist Westerns, it is far removed from the good guy-bad guy story-lines typified by Classic Westerns. Stewart here plays Howard Kemp, bounty-hunter who isn’t just laconic but also prefers to be a lone wolf. He is forced to enlist the assistance of an old brusque prospector and a young dishonourably discharged soldier, in order to catch hold of Ben (excellently played by Robert Ryan), a notorious and maniacal fugitive, take him to the concerned authority, and collect the ransom that has been declared by the state. None of the characters in the film is flawless, consequently the journey of the group is made as much perilous by the harsh, arid landscape they must travel to, but also the intense psychological rivalry between the trio (on account of their inherent lack of trust towards each other) – the psychotic captive makes full use of the latter by continually supplying more and more fuel into the fire. Meanwhile, also tagging along with them is a hotheaded beaut (Janet Leigh) who happens to be Ben’s girlfriend; only that, over the course of their journey, she and Kemp start developing mutual feelings for each other. The crisp, violent film is therefore more about psychological warfare than actual fights, though it still boasted of some memorable action sequences culminating in a brutal climax.





Director: Anthony Mann
Genre: Western/Psychological Western/Action
Language: English
Country: US

Tuesday, June 7, 2011

Anne Hathaway Injures Stuntman on New Batman Movie

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Anne Hathaway injured a stuntman on the set of new Batman movie 'The Dark Knight Rises'.

The 28 year old actress who stars as Selina Kyle/Catwoman in the Christopher Nolan-directed film got a "bit carried away" while staging an on-set fight and hurt a man with the butt of a gun.
Read More >>

Anne Hathaway Injures Stuntman on New Batman Movie

Click To Maximize
Anne Hathaway injured a stuntman on the set of new Batman movie 'The Dark Knight Rises'.

The 28 year old actress who stars as Selina Kyle/Catwoman in the Christopher Nolan-directed film got a "bit carried away" while staging an on-set fight and hurt a man with the butt of a gun.
Read More >>

Anne Hathaway Injures Stuntman on New Batman Movie

Click To Maximize
Anne Hathaway injured a stuntman on the set of new Batman movie 'The Dark Knight Rises'.

The 28 year old actress who stars as Selina Kyle/Catwoman in the Christopher Nolan-directed film got a "bit carried away" while staging an on-set fight and hurt a man with the butt of a gun.
Read More >>

Anne Hathaway Injures Stuntman on New Batman Movie

Click To Maximize
Anne Hathaway injured a stuntman on the set of new Batman movie 'The Dark Knight Rises'.

The 28 year old actress who stars as Selina Kyle/Catwoman in the Christopher Nolan-directed film got a "bit carried away" while staging an on-set fight and hurt a man with the butt of a gun.
Read More >>

Friday, June 3, 2011

Film Review: X-Men: First Class

Click to Maximize
We All know how Hollywood loves to create franchises and then flog them to death, so how do you keep things fresh and exciting?

Rather than just pumping out the increasingly desperate sequels, one answer is to go back to basics. And the latest brilliant example of such a revamp is X-Men: First Class.
Read More >>

Film Review: X-Men: First Class

Click to Maximize
We All know how Hollywood loves to create franchises and then flog them to death, so how do you keep things fresh and exciting?

Rather than just pumping out the increasingly desperate sequels, one answer is to go back to basics. And the latest brilliant example of such a revamp is X-Men: First Class.
Read More >>

Film Review: X-Men: First Class

Click to Maximize
We All know how Hollywood loves to create franchises and then flog them to death, so how do you keep things fresh and exciting?

Rather than just pumping out the increasingly desperate sequels, one answer is to go back to basics. And the latest brilliant example of such a revamp is X-Men: First Class.
Read More >>

Film Review: X-Men: First Class

Click to Maximize
We All know how Hollywood loves to create franchises and then flog them to death, so how do you keep things fresh and exciting?

Rather than just pumping out the increasingly desperate sequels, one answer is to go back to basics. And the latest brilliant example of such a revamp is X-Men: First Class.
Read More >>

Friday, May 20, 2011

Thor [2011]


Why is it that all Aliens/Gods in Thor are white Caucasian hunks who speak English with American accents and always make their landings on earth somewhere in the US? Even if I understand these given that it is an American movie based on an American comic-strip, there’s something more profound that I failed to appreciate. Why is it that, despite being so advanced vis-à-vis the human race in terms of knowledge and ability, the Asgard-s still rely on horses for day-to-day conveyance, and haven’t managed to get monarchy and dictatorship abolished? To cut a long story short, I found the movie as brainless as the characters that populate it. Thor, an arrogant hammer-wielding alien/god, and heir to the Asgard throne, is abolished to the earth by his ageing father, where he befriends a pretty astrophysicist (who, as Rogert Ebert has pointed out, is more of a storm-chaser & UFO-hunter), while also fights his father’s enemy (why wasn’t I surprised that Thor’s younger brother turns out to be the villain?). The film is filled with clichéd dialogues, juvenile sense of humour, predictable plot, and utterly unimaginative action sequences that are not worth watching – leave alone in 3D. It was also really perplexing to see such accomplished actors like Anthony Hopkins, Natalie Portman and Stellan Skarsgard agreeing to play such wafer-thin, one-dimensional characters… perhaps the pay packets were really good.





Director: Kenneth Branagh
Genre: Action/Fantasy/Adventure
Language: English
Country: US

Sunday, May 15, 2011

An Hollywood Action Ride From Jason Statham

The Mechanic : Jason Statham is the kind of action hero franchises are built on because he can sell the acrobatic sizzle, as well as connect with those hefty dramatic punches. In this surprisingly solid remake of a 1972 Charles Bronson movie, Statham plays a veteran hit man who is forced to reassess his allegiances when his mentor's loyalty becomes questionable.
Read More >>

An Hollywood Action Ride From Jason Statham

The Mechanic : Jason Statham is the kind of action hero franchises are built on because he can sell the acrobatic sizzle, as well as connect with those hefty dramatic punches. In this surprisingly solid remake of a 1972 Charles Bronson movie, Statham plays a veteran hit man who is forced to reassess his allegiances when his mentor's loyalty becomes questionable.
Read More >>

An Hollywood Action Ride From Jason Statham

The Mechanic : Jason Statham is the kind of action hero franchises are built on because he can sell the acrobatic sizzle, as well as connect with those hefty dramatic punches. In this surprisingly solid remake of a 1972 Charles Bronson movie, Statham plays a veteran hit man who is forced to reassess his allegiances when his mentor's loyalty becomes questionable.
Read More >>

An Hollywood Action Ride From Jason Statham

The Mechanic : Jason Statham is the kind of action hero franchises are built on because he can sell the acrobatic sizzle, as well as connect with those hefty dramatic punches. In this surprisingly solid remake of a 1972 Charles Bronson movie, Statham plays a veteran hit man who is forced to reassess his allegiances when his mentor's loyalty becomes questionable.
Read More >>

Friday, April 1, 2011

Sucker Punch [2011]


Given that Zack Snyder was the person who made 300, it is not surprising that Sucker Punch too is a high-octane visual fest. The film tells the fantasy-within-a-fantasy tale of Babydoll, a cherubic, diminutive young girl who, in order to escape the reality of the dreary mental asylum she’s been forcefully admitted to, creates extravagant fantasies where she’s the heroine, and, along with Sweet Pea, Rocket and other fellow luscious and ass-kicking bimbettes, must procure a set of objects that would help them procure their freedom. The film boasts of thumping action sequences, lightening pace, and arresting and innovative visual treatments. But, like 300, it is also spectacularly devoid of any semblance of intelligence. Made principally for attention-deficient juveniles, this escapist, over-edited and CGI-infested film doesn’t just require your brain to take a nap while you’re watching it, it literally forces you to flush it down the nearest drain. However, having said that, I did like the director’s attempt to create a subversive piece of action-fantasy; and I must add, I was reasonably glued to my seat, popcorn basket and cola glass during the film’s length. So yeah, Snyder did deliver a feisty sucker punch alright.





Director: Zack Snyder
Genre: Action/Fantasy/Adventure
Language: English
Country: US

Thursday, December 30, 2010

Ran [1985]


Ran, Japanese maestro Akira Kurosawa’s interpretation of Shakespeare’s King Lear, nearly destroyed him as a filmmaker. But history has been kind to him, and Ran has consistently ranked as one of his greatest masterpieces, alongside the likes of Rashomon, Seven Samurai and Yojimbo. Ran is an epic with brutal power, a movie that overwhelms with its stunning visual beauty as it does with its display of such basic instincts as honour, betrayal, vengeance, and emotional anarchy. Though a samurai movie, its theme and story are both universal and relevant for all times. When an ageing samurai lord bequeaths his throne to his eldest son, his seemingly innocuous decision sparks a chain of events that spreads like a wildfire among his sons, and destroys everyone in the process – emotionally and physically. His eldest son’s daughter, a scheming and calculating lady, adds fuel to fire by planting seeds of distrust and lust for power. The film’s scope is therefore as much to do with one of sight and sound, as it is to do with portraying, in all its nuances, emotional turbulence. The films boasts of a towering central performance by Tatsuya Nakadai who, as the elderly warlord and a great warrior of his time, realizes only too late the damages caused by a decision that was heavily opposed by his straight-talking youngest son. The movie is drenched in pessimism and portrays a world that goes astray at the slightest opportunity, and this breathtaking spectacle has as company another stunning Shakespeare adaptation of Kurosawa, Throne of Blood.





Director: Akira Kurosawa
Genre: Drama/Epic/Family Drama/Action/Samurai Film
Language: Japanese
Country: Japan