Showing posts with label interview. Show all posts
Showing posts with label interview. Show all posts

Wednesday, May 11, 2011

An Interview with Chris Longmuir





MJM– You have 3 words, describe Night Watcher.

Chris – Scary, dark story.

MJM – You now have another 21 words – give us some more details.

Chris – Psychological thriller featuring two different kinds of stalker. A woman seeking revenge and the disturbed Night Watcher who has killed before.

MJM – Your first published novel – Dead Wood – won the Dundee Book Prize and a very nice, large cheque. Tell us how that felt.

Chris – I wish everyone could have had that experience. It was exciting, fabulous, mind-numbing and surreal. There aren’t enough adjectives to describe it.

It all started one afternoon in November 2008, when I received the phone call. The woman at the other end asked if I was sitting down, my stupid reply was – did I have to be – and yes, it would have helped if I’d been sitting down, but as usual I walk about with the phone in my hand. When she told me I had won the prize, I thought it was a scam, but she assured me it was real. I think that was when I kind of went numb and everything started to jumble about in my brain, so I can’t really describe how I felt, only that I needed to tell someone, otherwise my brain would burst. So I told my two best friends, Liz and Betty, they read my manuscripts – Liz for grammar (she’s picky) and Betty for continuity (she’s the one who will pick up anything that doesn’t make sense). 

After that I went back to the disbelieving state again and was sure someone was having a joke at my expense. Then the letter came. It was from the Lord Provost of Dundee, and that was the moment it became real for me. The only thing was, there were two conditions. The first one was that my title would have to be changed – I had called the book The Screaming Woods which I thought was a good, catchy title, but I would have agreed to anything at that stage. If they had said ‘jump’, I would have said ‘how high’. The second condition was I had to tell no one I had won the prize, there was a moratorium on the information until the publication day. I panicked. I’d already told Liz and Betty, and I was terrified they would take the prize away from because I’d gone against the moratorium, so Liz and Betty were sworn to secrecy. 

There was another problem with this, because it prevented me from approaching an agent for representation until after the book was published. You can imagine what any agent would feel when I approached them afterwards.

I know it sounds trite but when I feared I would lose the prize, it wasn’t the cash element I was afraid to lose it was the publishing part of the deal. I don’t suppose anyone other than a wannabe writer would understand that. But I had been writing for twenty years, the past ten of which I had been trying to get novels published. So publication was a big deal for me.

I entered into the next phase, the surreal phase, after a meeting with the Book Prize organisers. You see everything went quiet for months after that, so it became unreal, as if it hadn’t happened. I heard nothing until April 2009, and after that things started to move. There was the contract to sign, the editing to get through. The removal of 7,000 words, the addition of 7,000 new words, a further removal of 7,000 words – where did those 14,000 words go I wonder now, but boy it was a learning experience in the value of editing.

So finally the launch. I was whisked up to Dundee with a mesmerised son who hadn’t a clue why I had demanded his presence. It was a whirlwind experience with interviews by the news media and the telly, followed by a publicity shoot in Templeton Woods, which one photographer described as ‘spooky’. Then the big fancy reception where my identity was revealed and the cheque handed over. Oh, and at last, the joy of signing my very own book. I felt I had reached the heights of success.


MJM – From the irony in your tone, I’m guessing you came back down to earth with a thump?


Chris - Alas, even though the first print run sold out within four months, and we are now into reprints, the publisher declined to publish my second book. So my fame was fleeting. Never mind, I thought, someone else will want it. But I hadn’t bargained on the recession which hit publishers as much as anybody else, and after two years of prostrating myself to publishers and agents, I’d had enough, and Night Watcher was published as an eBook.

So now I am testing pastures new (yes I know that’s a cliché) and hoping that people will like Night Watcher as much as they liked Dead Wood.

MJM – I know it’s early days but what has been your experience of ‘going solo’ with the e-book format so far?

Chris – In one word ‘liberating’.

I spent the last two years wondering if I would ever get my second novel published. I started to doubt myself, as most authors do. Going from the heights when I thought Night Watcher was brilliant, to the lows when I thought it was crap. Luckily my readers seem to like it. I had periods (the crap ones) when I did nothing to seek publication, and periods where I sent it to publishers and agents hoping I would strike lucky. In the meantime the hassle of chasing agents and publishers was getting in the way of writing the next one.

So when I finally made the decision to e-publish it lifted a great weight off me and I now wonder why on earth I didn’t do it before. As you know I’m a bit of a techno geek, so I researched how to go about making Night Watcher an e-book. In the process I discovered masses of information out there, and at the end of the day it wasn’t too difficult.

Having taken the plunge, Night Watcher is now on sale for Kindle, Sony Reader, Nook and iPad.

MJM – What have been the pitfalls?

Chris – The main problem after publishing is, of course, promotion. How on earth was I to get my book noticed in a saturated market of other e-books, particularly when some of them were selling for pennies. I decided that I wanted to sell it relatively cheaply, but not so cheaply that readers would think it couldn’t be up to much. So I decided on $3.99, which works out at £2.82 (Amazon added VAT) as that seemed to be a price that was affordable but did not devalue the book.

The other aspect is the time taken up with promotion – a new blog to service, keeping my web site up to date, posting on a variety of forums. I discovered Kindle Boards which is fun. Facebooking regularly, Tweeting (hadn’t done that before and still learning) Begging readers to put reviews up, and whatever I think will attract readers’ attention. One thing I discovered is that many of the Kindle forums, with the exception of Kindle Boards, don’t take kindly to self promotion, and the comments can be quite cutting.

Perhaps the biggest pitfall for an e-publishing author, and that is the matter of tax. As a UK author, tax is paid in the UK, but if you sell in the US you are also liable for US tax – a double whammy. There is a way round this which is quite convoluted. The UK has an agreement with the US that British earners should be exempt from US tax, however to qualify for this exemption an author is required to get an ITIN (Individual Taxpayer Identification Number) from the US tax authorities (IRS). The only way to get this is to send or take your passport (original) to the US authorities along with the necessary paperwork.

However you also need an IRS mandated signed-on-letterhead letter from your publisher or distributor and as far as I am aware Amazon do not supply this. Smashwords will supply the letter but only after you have earned $10 from your sales.

The ITIN once obtained can be used to send all e-book publishers, including Amazon, the necessary forms to exempt the author from paying US tax.  I have applied for my letter which will take 6 weeks to come and after that I will be applying for an ITIN. Once the procedure is complete I’ll put up a blog on the process.

Be aware, an author who does not apply for an ITIN will lose 30% of earnings to US tax.


MJM – What's your next project?

Chris - I have 2 writing projects and 1 editing project on the go just now. I have started a historical crime but I want to keep the subject matter under wraps for the moment because this is something I don’t think has been done before. I’m also a third of the way into another contemporary crime based on a girl who has been missing for 5 years and internet predators. This is another dark one. My editing project involves resurrecting the first novel I ever wrote – wait for it – it’s a historical fishing saga. I had intended to leave that one in the bottom drawer but it’s actually quite a good story, so I’m revising, polishing and editing, in preparation for making it an e-book. Won’t all my friends be surprised?


(and there we finish on a big lesson to all new writers – you need to keep working!)

Tuesday, May 10, 2011

How to Get Shortlisted For a Job?


The new financial year is on its way. Many people are going through a phase of change in their life and the economic setbacks of past years are certainly making it a bit difficult. College is over and placements have closed, yet many of the guys and girls are still jobless. Many others, who are already in jobs, are waiting in jittery for the pathetic announcements of probable increment, promotions, incentives, and so on. Soon, you will have to restart your life for another struggle. You will have to try for a job or a new job, changing jobs is soon becoming a trend. Then you will have to concentrate over your brand new, fresh start or you will decide to have the regular start. It is never easy to answer the simple question, how to get a job or how to get shortlisted for a job. However, the following tips will help you to understand the way to get a job.

The CV or Resume: Your curriculum vitae or Resume is nothing less than a one-way ticket into a life of wealth, luxury, power and happiness. While preparing your resume or CV, dedicate yourself completely for it. Take a full day or more than that for working out to attain the best format for your resume and once you create it, let it be checked by your well wishers. They may suggest you a certain tips to improve your resume or CV.

A good resume or CV is neither too short nor it is too lengthy. It should be 2 pages or less. Don’t use multicolor to make it awkward, black and white are the authenticated colors for a resume or CV. Use a single professional font while making it with proper usage of bold and underline. You don’t need to mention your hobbies, references, marital status, and your place of birth in your CV. Remember to mention your mobile contact number and a professional email address in your CV.

Furthermore, if you are planning to apply for various interviews for different job positions, reshape your CV or resume for each interview separately. You don’t need to use a cover letter as nobody is interested in it. However, you may change the content of your cover letter into the body of the email.

Use social internet societies to their maximum potential and in a professional manner. Using your Facebook profile, Twitter account and LinkedIn in a professionally optimum manner is very important. If you do not have a LinkedIn account or a Facebook profile, it is too late for you for the upcoming interview, however, start your professional presence on internet societies right now as it will help you in future.

Google yourself and check out all recent internet activities. Is there anything that may prove to be a hurdle as your interviewer may not like it? If there is, better is to clean up your profile. Some people may think that it is far-fetched. However, it happens far more than you can think of. Your interviewer may change their attitude after checking your internet profile.

Be honest and responsible. It is not very difficult for an interviewer to point out any exaggeration, outright lie or bullshitting during the interview. Furthermore, it will also make you feel the tension. However, you need to be selective. Don’t try to ignore or deny your failures, yet, remain positive and concentrate on your success.

Remain focused while seeking jobs. There are many ways to know about job opening. You may use your friends contact, consultants, ads, internet and even direct approaches. Each application and mail you will send for a job will be unique for that job and profile. You need to customize each mail and application. Google out all information you can about each job opening you are going to apply for and customize your application in similar fashion. This will give an impression of your attentiveness. A single customized job application has a better chance of success than ten million standard letters.

The HR call is very important and you need to attend it with calmness. If you have already applied for a job, you will be getting a call from HR. Carefully handle this call. A lot of screening for new employees happens on telephone itself. If you are in a noisy atmosphere, or are suffering with bad reception, change your position as soon as possible. Don’t forget to take a call-back number and time.

Don’t try to start negotiating right on the first call with HR. If you start talking about salary on HR call, you will lose your chances to get the job. Don’t plead or beg as this ascertains rejection. Don’t act over-smart and don’t show arrogance. If you show that you are having a lot of offers, just remember that the interviewers have much more candidates trying for the job. Rather, you should discuss profiles and roles in a rational and calm manner while suggesting the interview modalities and dates.

You need to be serious about the prospective job. Even if you are applying for a role of comedian, you need to remain serious and focused towards attaining the job and it certainly is not a comedy. However, avoid overstressing yourself. People having panic attacks are never shortlisted. Relax, take a deep breath and prepare for your interview with confidence.

Wednesday, May 4, 2011

Interview with Declan Burke (part 2)




(If you were one of the unlucky people who missed part one go HERE and be delighted and amazed.)

Part Deux ...




Me - Backto your man, Harry. One of the many things in Eightball Boogie that fascinated me was hisrelationship with his psycho brother. Tell us where that came from.

Declan - Anothertough question. The honest answer is that I don’t know - if I did, I probablywouldn’t have gone to all the trouble of writing a book about it. But thesethings tend to be buried pretty deep in our psyches, and take quite a bit ofexcavating.

As withall the ostensibly bad guys in my books - Rossi in THE BIG O, Karlsson inABSOLUTE ZERO COOL - I have a lot of sympathy for Gonzo, who is Harry’s brotherin EIGHTBALL BOOGIE. He’s an exaggerated version of the milder kind ofsociopath that people tend to meet in their lives - the bullying boss at work,the aggressive moron who lashes out at the end of the night after one too manybeers, the passive-aggressive manipulator we’ve all met at some point in ourlives. Gene Kerrigan makes the point that most criminals aren’t all thatdifferent to law-abiding citizens, they simply want to pay their mortgage offquicker, and are prepared to do whatever it takes to achieve their goals. To acertain extent, Harry and Gonzo are two sides of the same coin, brothers whogrew up the hard way and whose lives were directed down slightly differentpaths by their individual experiences. Harry, possibly belatedly, discovers abrake on his impulses at a particular time in his life; Gonzo doesn’t, andfeels free to do whatever he needs to do in order to get what he wants. He’s atypical bully, a borderline sociopath who doesn’t have the ability to empathisewith other people. Given that EIGHTBALL is a crime novel, it was inevitable, Isuppose, that Gonzo would at some point end up with a gun in his hand, butthat’s not what was interesting to me. What I was interested in was why Gonzobecame that bully in the first place, in the factors that created hisparticular pathology.

EIGHTBALLBOOGIE is told in a first-person narrative, and Harry is a freelancejournalist-cum-private investigator (he calls himself a ‘research consultant’)as a nod to Chandler’s Marlowe, so it’s Harry’s story; but the epigraph I usedat the start of the book, from Jim Thompson’s THE KILLER INSIDE ME, is dedicatedin my mind to Gonzo: ‘Yeah, I reckon that’s all unless our kind gets anotherchance in the Next Place. Our kind. Us people. All of us that started the gamewith a crooked cue, that wanted so much and got so little, that meant so goodand did so bad.

So Gonzois Harry’s doppelganger, in a way, his alter-ego. But I suppose too that bothHarry and Gonzo are aspects of my own personality. In a parallel universe, Iturned out like Gonzo; in another parallel universe, I ended up like Harry.Happily, I live in this universe, and don’t have to be either.

Me -  Another pleasure for me in Eightball Boogie is yourfacility for the bon mot, the wisecrack and the banter. Go on make me jealous -does this come naturally to you or do you have to work at it? And part 2 ofthis question - did you feel you had to add the humour to leaven the darkerstuff?

Declan - Well,you’re very kind, sir, and I appreciate the good word. To be honest, at thisremove, I think there’s probably too much wise-cracking in EIGHTBALL - thereare times, I think, when it distracts from what’s happening. I’ve written asequel to EIGHTBALL called THE BIG EMPTY, and Harry is less inclined to crackwise in that one, although there’s no pretending that he doesn’t have a smartmouth. But when THE BIG EMPTY opens, Harry’s just out of prison after doingfive years, and that’s an experience that’ll teach even the smartest arse whento keep his mouth shut.

By thesame token, he’s just a slightly subdued version of the Harry we meet inEIGHTBALL - my sense of humour tends to veer towards the absurd and thesurreal, which is probably why I enjoy Chandler’s one-liners so much. And mostof the humour in EIGHTBALL is in there because I was writing an homage toChandler, in part, and I did deliberately over-egg the pudding because I wantedpeople to know that I wasn’t just trying (and failing miserably) to imitateChandler’s style, I was trying incorporate that kind of style into acontemporary Irish setting - which is itself, of course, an absurd thing to do.

I’mafraid that the answer to your first question is yes, that I find comedy easyto write - or far easier, I should say, than writing consistently seriousmaterial. I’ve tried in the past to write a serious novel, but it either flopsmiserably, or it twists itself into something funny. It’s probably a failing ofmine that I can’t write anything without raising an arched eyebrow above it,but then, the crime novel these days verges on self-parody as it is, so all I’mdoing is giving the conventions a bit of a tickle once in a while. Maybe someday I’ll run out of gags, and then I’ll get to write a proper, serious novel.It’d be a nice change of pace, if nothing else.

Thatsaid, I’m a big fan of the notion peddled by the ancient Greeks that tragedy issimply underdeveloped comedy, although they had a different interpretation of‘comedy’ than we do. Still, I can’t see why you shouldn’t write a novel thathas something serious to say, and not leaven the darkness in the process, asyou suggest. Elmore Leonard, Kurt Vonnegut, Spike Milligan, Colin Bateman, CarlHiaasen, Barry Gifford, Chandler himself - there’s a very good reason why I’veread virtually everything those writers have written. Eoin Colfer’s PLUGGED,incidentally, is a welcome addition to those ranks.

Me - Awee birdy (well, your blog) tells me you're bringing to market a book aboutthis new and exciting wave of Irish Crime Fiction. Tell us about that.

Declan - DOWNTHESE GREEN STREETS: IRISH CRIME WRITING IN THE 21st CENTURY is a collection ofessays, interviews and short stories written by Irish crime writers about thephenomenon that is the current explosion in Irish crime writing. And it’s notsimply a case of quantity, as the roll-call suggests: John Connolly, TanaFrench, Eoin McNamee, Adrian McKinty, Ruth Dudley Edwards, Arlene Hunt, GeneKerrigan, Stuart Neville, Jane Casey, Colin Bateman, John Banville, DeclanHughes, Niamh O’Connor, Alan Glynn, Brian McGilloway, Alex Barclay, Ken Bruen …they’re all writers who can hold their own in any company, crime or otherwise. 

It just seemed to me that a whole generation of writers was coming through atthe same time, all writing during a period of time in Ireland that has provedconvulsive - from the murder of Veronica Guerin and the IRA ceasefires inNorthern Ireland in the mid-1990s, through the rise of the Celtic Tigereconomic miracle, and then the decline and fall into economic meltdown - and Ithought it might be an interesting exercise to have the writers themselvesexplore the reasons - personal, political, commercial, literary - why theychose to write crime fiction. 

Hopefully it’ll appeal to crime fiction fans allover the world, though, because the writers mentioned above have already proventhat Irish crime writing can compete with the best the international stage hasto offer.

Me - NowI'm going to do to you what you do to your victims, sorry guests on your own excellent blog (If you're not a follower, get your butt over there pronto)  CRIME ALWAYS PAYS - God dictatesyou can only read OR write, which do you go for?

Declan - Read.Read, read, read, read, read. Don’t get me wrong, I love to write, and Godknows I get like a hungover bear if I don’t get to write when I need to. But ifI had to make a choice, and being all too aware of my own limitations as awriter, and all too aware of the fact that there are writers out there that Icouldn’t match in a thousand years of trying, then I’d be happy to sit back andread until my eyesight fails. 

To write is to be; to read is to live.



Monday, May 2, 2011

An Interview with Declan Burke (Part 1)



Declan Burke is an author and freelance writer. He writes a monthly crime column for the Irish Times, and reviews fiction for a variety of other outlets, including RTE radio’s Arena programme, the Sunday Business Post, and the Sunday Independent. He is the editor ofDOWN THESE GREEN STREETS: IRISH CRIME WRITING IN THE 21st CENTURY (Liberties Press). His novel Eightball Boogie was reviewed on these here pages recently and I was so in awe of his talent I thought I should have a few words with him on your behalf. If you like books, you're gonna love this ...


Me. You have 3 words. Describe Eightball Boogie.

Declan: Chandler on poitín.  

 Me. I had to look that up. It's that illegal alcoholic brain-rot stuff, innit. (Pocheen) Declan, you now have another 21 ...

Declan: Irish freelance journalist Harry Rigby gets caught up in a paramilitary feud investigating the story behind a politician’s wife’s apparent suicide.  

Me. Why fiction? Why crime?

Declan: They say that most writers write their first books because the book they most want to read hasn’t been written yet. I like to read all kinds of books - different types of fiction, and non-fictions - but I’ve never yet read a non-fiction that made me feel like I wanted to write a better biography / history / pop science book, mainly because I’m not qualified enough in any one area to do so. And then there’s the fact that books that are made up, invented, require the least amount of research. I quite like the fact that I am, as a friend once pointed out to me, the world’s greatest living expert on Harry Rigby. He’s the one topic on which I can’t be contradicted.

As for why crime: I like that the crime novel has an in-built narrative arc, and that its narrative arc is very similar to the classical three-act tragedy. It’d be tough to reinvent the wheel every time, although when I’m writing, I always do my best to push the conventions as far out of shape as possible. Plus, crime stories tend to favour life-or-death scenarios, which gives good crime writing an edge over less intense tales. It’s also true that I have a personality that is disposed to peeking over the edge of abyss, and crime novels, by and large, tend to drag you into dark places that you wouldn’t normally dream of going in your day-to-day life.  


Me. You talk about peeking into the abyss and the dark places. Do you ever get strange looks or comments from friends or readers who wonder if the violence you describe (not that you're particularly violent in the grand scheme of things) is really you?

 Declan - Not really, I have to say. As you suggest, my books aren’t overly violent anyway, although there have been a few scenes here and there when I pushed the boat out. Actually, one of my motivations for writing THE BIG O was to see if I could write a believable crime fiction novel that had no murders and the absolute bare minimum of violence. What violence does happen in that book happens ‘off-stage’, other than an accidental knee-capping.   

My latest book, ABSOLUTE ZERO COOL, which will be published in September, is a different matter entirely. It’s a story in which an author engages with the protagonist of a draft he’s abandoned, and the two decide to rewrite the novel to see if they could make the protagonist a more likeable sociopath, in the process blowing up a hospital. The author in the book is unnamed, although it’s made explicit that he is the author of EIGHTBALL BOOGIE and THE BIG O, and together the pair descend into a rare kind of madness … 

When it was finished, I sent the book out to some writers I know and respect, hoping they might give it a few kind words, which most of them did. But I also got a couple of follow-up emails, asking if I was, y’know, okay, and hoping my mental health was sound. Which suggests that the book, for all its failings, achieved what it set out to do. And yes, thanks for asking, my mental health is perfectly fine. When I’m not writing, anyway.”

Me -  Now, let's jump into the abyss ... when writers write about violent events what, if any, responsibility to the reader do they have?

Declan - That’s a very tough question to answer. The easy way to do it, I think, is to take flight for the moral high ground, and say that the writer’s only responsibility is to the story, following it to its logical conclusion to the best of his or her ability. Once the story is written, it’s up to the reader to accept or reject what the writer says, or what he or she has the characters do.

I suppose it’s all to do with intent, and perhaps even as much to do with the kind of violence being described. For example, there seems to be a fascination at present with some writers (and readers too, obviously) for a graphic depiction of rape, torture and other kinds of degrading violence towards women. I can understand the logic behind that kind of story, because the majority of fiction readers are women, who live their lives, if the statistics are to be believed, with an acute awareness of the possibility, or threat, of sexual violence hanging over them; in that context, a story in which a physically or sexually abused woman exacts vengeance on her abusers can be read as, ultimately, an uplifting one. In a sense, such novels are simply grotesque exaggerations of the Little Red Riding Hood fairytale.

What matters there, I think, is the fine line between a graphic description of such violence for the sake of verisimilitude, and one which is simply exploitative and titillating. In that scenario, the writer - or the serious writer, at least - most certainly has a responsibility to his or her readers. 

But it really is a matter of intent, and context. I remember when the movie ‘Fight Club’ came out first, and it was hammered for its depictions of violence, which were shown - particularly in the fight club scenes themselves - in all their gory detail. In other words, when you hit someone hard, bones crack, blood flows, suffering follows. That same month, the latest Bond movie was released, in which God only knows how many people were wiped out with machine-gun fire and explosions in the opening sequence alone. By contrast, only one person dies violently in ‘Fight Club’, and it’s a death that has very serious consequences, whereas Bond simply goes his merry way, bedding women and blasting baddies. Bizarrely, the movie that got the sordid reputation for being overtly violent was the one that engaged with violence and death as a serious issue, while the glorified cartoon of mass killing was greeted with whoops and cheers.

I’ve been in fights, in my time. Not many, and always for defensive reasons, but the experiences were such that I never take violence lightly, either as a writer or a reader.

Me - Oooo - not a man to mess with then. 

(Note to reader - all 3 of you - the interview with Declan was so good I've stretched it out over two posts. Come back next time for more crime fiction goodness.)

Saturday, September 4, 2010

@RealWizKhalifa interviews with @DDotOmen.com at Rock The Bells DC



Wiz Khalifa sheds some light on the future of his music, not going on tour with Drake or signing with Ricky Rozay and signing with Atlantic



*sidenote* You peeped ORANGE right?

Peace*Love&Spaceships

iLL ORANGE ProPhet
Twitter @ILLPROPHET
Ill Prophet Facebook Page Ill Prophet
Ill Prophet Music Page - www.ILLPROPHETMUSIC.com
Facebook Personal Profile Illyus Prophet

Lauryn Hill Interview With @ToureX On Return To Music (Video)



Lauryn Hill goes in depth with a rare interview with @ToureX explaining why she's been gone so long and why she decided to return to the music. She says she desired normalcy for her and her children. She returns with "...the need to express myself." While there is no promise of a new album, more new music from the legendary ARTist seems promising.


Word to ddotomen.com for the original post

Peace*Love&Spaceships

iLL ORANGE ProPhet
Twitter @ILLPROPHET
Ill Prophet Facebook Page Ill Prophet
Ill Prophet Music Page - www.ILLPROPHETMUSIC.com
Facebook Personal Profile Illyus Prophet

Friday, August 6, 2010

iLL Prophet Interview Oct '08

So I was going through old emails and found this interview from a couple years ago. It's funny going back to read this stuff and seeing how my mind has grown, works, and developed.

BB: First off. What's good?
Ill Prophet: What's up bruh? Everything kosher man. I'm living life and trying to enjoy every moment of it.

BB: Your music has a very unique style and refreshing style. Who are some of your influences you grew up to?
Ill Prophet: Ha. I love this question. Of course the typical Biggie, 2Pac, (ATCQ) A Tribe Called Quest so on and so forth had their influences somewhat here and there, but to be honest if I went through every influence and HOW they influenced me, you would have to dedicate two entire magazines to it, broken down in two parts. I guess the artists that really influenced me to initially say, "Dang, I want to be an artist are Mos Def, Common, The Roots, and Outkast. Let's just say a lot of everything from modern jazz, old school hip hop, and disco to gospel, soul, rock, and reggae played in on my styles. I could seriously name drop my musical influences all day...Curtis Mayfield, Led Zeppelin, Coldplay, Reverend James Cleveland, John P. Kee, Janis Joplin, Kenny G, Fourplay, Santana(Black Magic Woman), and on and on. lol My mom had all these old vinyls she used to play ALLL the time.


BB: What do you think about the current state of hip hop? or music in general?
Ill Prophet: Shoot sometimes I feel like John Kerry when they dug up all his stuff from his congressional term. Really I don't know. Sometimes I feel like THIS IS SOME BULL ISHT WTF IS WRONG WITH THE MUSIC WORLD and then other days...I'm feeling like it's just a different time. The only concern I have and will continue to have until it changes is the people not diversyfing what we listen too and the radio not diversifying the music they're playing. The radio and tv stations will play the music we request if we requested it in masses. On my hip hop stations how come I have NEVER heard Jean Grae? Little Brother? or even local emcees that have blown up such as Wale or Tabi Bonney? I hear Tabi and them in DC now more, but how come not in Baltimore? Why aren't Kanye's singles still being played from Graduation? I still hear Lollipop from Lil Wayne and Ayo Technology from 50? Why isn't Mos or the infamous Jay Electronica getting any play PERIOD. It's starts with the people. But the people can't get the information if they aren't even given the chance to hear it! Man shit, I'm gonna leave that question alone.

BB: Do you feel hip hop can have another golden era?
Ill Prophet: Golden era? Call me a rebel but I sort of feel like the golden era of hip hop may actually be RIGHT NOW! Hip hop music is bigger than it has ever been. Being a lyricist I have always been one to argue the need for better lyrics and music that has true meaning but we forget what our "Golden Era" really consisted of. I hate to burst folks bubble but EVERY SINGLE STYLE of music we have now was out even back then. Even during the 93-94 GOLDEN YEAR of hip hop. Wikipedia puts it best - ()"The artists most often associated with the phase are Public Enemy, KRS-One and his Boogie Down Productions, Eric B. & Rakim, De La Soul, A Tribe Called Quest, and the Jungle Brothers.[4] Releases by these acts co-existed and successfully competed commercially in this period with those of gangsta rap pioneers Schoolly D and N.W.A, the sex raps of Too $hort, and party-oriented music by acts such as Kid 'n Play, Heavy D, and DJ Jazzy Jeff & The Fresh Prince.[5]" "Look it up yourself. Keyword is CO-EXISTED. Soulja boy is our Kid N Play, Jazz and Fresh, Heavy D, 50 and, most definitely Game are our N.W.A., Pretty Ricky is our Too Short, Lupe, Kanye, Pharrell and so on are our ATCQ, De La, and so on. There are tons more that we know about but are getting any play. So the era is here. It's right now! It's just up to the people and the media to make it happen like they did back in the 90's. We as artist are delivering the material. www.myspace.com/illprophetic !! All day everyday! I'll mail you a cd if you want. My art is free. It's on facebook.com, reverbnation.com, letsbeef.com. I'm everywhere.

BB: Who are you feeling in hip hop today?
Ill Prophet:...that's rough...Me. Damn. lls. It's a list. There are just a lot of real MC's that deserve some serious shine. I like to follow up with why and I feel emcees don't get to do that often but I can talk all day about some folks. So simply put, COMMON first. He's stayed so true to himself. How can you not respect that? Kanye West, Jay Electronica(Get to know the new Badu Boo Jay Elec = SICK!!), 88Keys(Absolutely amazing and growing producer), Snoop (Now more than ever we see the old man in Snoop and that's some off the wall psychedelic isht that I love), KID CUDI, Q-Tip(Gettin Up is classic), MF Doom, Gnarls Barkley, OutKast(Andre AND Antwan will ALWAYS be OutKast nigga!), Soulja Boy, Pharrell, The Roots(B. Thought is still one of the sickest emcees with brotha ?uesto workin production), WALE, TABI BONNEY. D.C. emcees ALLL day. The list could go on but those are the first that come to mind and I have their albums going in steady rotation on the Zune. LET THE BEAT ROCK!! LET THE BEAT ROCK!!! HaHa!


BB: What have you been working on lately?
Ill Prophet: Everything. I'm networking like crazy. Getting people to know who you are is everything but at the same time I'm continually developing my style. I'm co-working on my mixtape Ill Prophecies and getting in on these shows. Shows are everything to me so if I get nothing but ten minutes on a stage I want to be on that stage. Not open mics but actual hip hop features. I love to perform. Also I'm building up my fanbase. A lot of folks might have 100,000 myspace friends but of that number probably only 20 or 30,000 actually rolling with you. Real true fans. It sucks but that's the nature of people. So I'm trying to hit everybody in every place cause you never know who might be your next biggest fan.

BB: How would you describe your style of music?
Ill Prophet: Ecclectic. Soulful. Heartfelt. IN YOUR FACE. Straight to the point. Off the wall. Hyped. Relaxed. My music is ever-evolving and developing. With that I hope to bring the listener along with me for this journey into greatness. People should be ever-evolving and changing and that's how my music is. To throw the idea in the air, my style of music is like a massive super saiyan spirit bomb, wrapped in Phoenix's flames, submerged in the seas of Atlantis, hidden in the swamps of Naboo. Digest that isht right there. In laymen's terms, it's out of this world.

BB: When can we be expecting an Ill Prophet Lp?
Ill Prophet: When my right brain and left brain decide to stop being anti-social and cooperate. HaHa:) Regardless we're looking at the end of '09 or so. I really want the mixtapes to flow through the streets and the underground before I really let the ball of energy loose. I'm messing around with way too many different sounds and elements to drop something this year. But the mixtapes are coming and as they come, everything else is coming together too. Just stay on the look out. IllaProph never stops moving.

BB: Alright music to the side. Tell us about Ill Prophet's life growing up.
Ill Prophet: Well I was born in D.C. I've lived pretty much all my life in and around different parts of Maryland. It's always just be my mother and me but life was ok. We struggled like I feel most single parent or even two parent households do. I've had the drug heads living right next door to me and my friends getting locked up at 8 for bringing semi-automatics to school and knives and all. That was one moment in my childhood. Then in another part the last roughly ten years of my life before I graduated high school, I lived in a military suburban community. I haven't seen it all but I have seen a lot. It's life. I've had first hand looks into both sides of the economic spectrum. Broke and in hoods you've only scene on t.v. and then where people have money and big houses and three cars and crazy ish like that. I'm well rounded because of it though. I'm prolly missing a lot but that's all I can really think of.

BB: When did you decide to try pick up the mic?
Ill Prophet: When I finally got one. ha. Man I'm geeking. Years ago. Many years ago. I had to have been in maybe 7th or 8th grade. I started writing poetry first. I was spitting other emcees rhymes but the poetry was the first self procreated art. As far as spitting I don't even really know. Must have been the night I saw a rerun of Martin. It was the International Player's ball episode with Jerome. lol OutKast performed at the end of that episode. They moved me soo much and around that time I had saw the video for The Roots - Next Movement. That song/video/lyrics were so raw for me I had to do music. I love everything about The Roots man. No homo but damn. If ya think you know The Roots holla at me. We can go back and Pass The Popcorn with just Tariq and Ahmir hitting the boom boom bip ba boom boom bip. Classic.

BB: At the end of the day, what do you want to do for hip hop and be perceived as?
Ill Prophet: Honestly I don't know. I don't have an agenda for hip-hop. I barely have a real motive or agenda for myself. All I want is for my music to be remembered and live on through time. I don't want to be restricted to just hip hop. Forget that. I want to cross genres. I want to be on Beatles status. Everybodoy knows who the Beatles are no matter if you're black, white, American or Russian. Michael Jackson could quit right now and never release another album, single, ad-lib, or even a breath and his music will be played. From lil Mike J of the Jackson 5 right up to now. His legacy, though clouded by other bull, lives on. Our kid's kids will hear Michael. Even LL Cool J has songs like that. These people will live on through music forever. We still sign Marvin Gaye tracks and he's been passed for over 20 years. I want my music to have that affect on the world and music industry.

BB: Anything else you'd like to add?
Ill Prophet: Support support support. I can't stress it enough. Not just me but all your favorite emcees.
My music is free so there is no reason why a "fan" shouldn't have it. Give it to friends. Spread it around. Tell people about me. Talk about the other hip hop that's out here. Hit me on myspace. WWW.MYSPACE.COM/ILLPROPHECIES I just want to say thanks for the time. I appreciate and have much respect for people that stay true to themselves and strive for what they believe in.


Thanks again,
peaceluvNspaceships

-------
Peace*Love&Spaceships

iLL ORANGE ProPhet
Twitter @ILLPROPHET
Ill Prophet Facebook Page Ill Prophet
Ill Prophet Music Page - www.ILLPROPHETMUSIC.com
Facebook Personal Profile Illyus Prophet

Wednesday, July 29, 2009

Wale Interview w/ S.A.B Radio Part 1 & 2

Wale Interview - Part 1


Wale Interview - Part 2


Follow My Blogs!!
Find me on Facebook @ www.facebook.com/Illyus
Myspace - www.ILLPROPHETMUSIC.com
Twitter - www.twitter.com/ILLPROPHET

Peace*Love&Spaceships

© Illyus Prophet 2009

Wednesday, November 26, 2008

Fauxtography 101: Use PhotoShop, Catch Criminals



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Catching Criminals with Photoshop?
Interview with Jim Hoerricks, LAPD, On Forensic Photography

by Nathaniel Janis
Stinky Journalism





Second in the Fauxtography Series

ALSO at DBKP:
* Fauxtography For Dummies: Forced Perspective Fauxtography
* John McCain on 9/11: Lapel Pin Fauxtography Claim is Faux
* Iranian Fauxtography: Now, THAT’s What I Call Iranian Fauxtography!



Over the last few years, a "Fauxtography" epidemic has been steadily infecting the reporting done by many different news outlets. From the infamous Reuters Passion of the Dolls scandal in 2006, to the numerous fake Monster Pig photographs initially verified by the Associated Press and Fox News, it is clear we are living in an age when seeing is no longer believing.

Stinky Journalism's Nathaniel Janis recently had the chance to sit down with Jim Hoerricks--forensic analyst with the Los Angeles Police Department--to discuss ways to identify such photos when they appear, and other issues relating to digital photograph manipulation.

Nathaniel Janis: Could you describe what you do as a forensic video analyst for the Los Angeles Police Department's Scientific Investigation Division?
Jim Hoerricks

Jim Hoerricks: It's a pretty straightforward job description. As far as digital, analog, or any multimedia-type evidence goes, whether it be crime scene, CCTV footage, or audio recordings or surveillance that's done by officers - it comes through our office, and then it gets processed either for comparison or straight out for the media.

If they're looking for just a cell image to put on a flyer, or as part of an Amber Alert, there are a lot of different things to do with the video. After that's taken care of, the audio side needs to be clarified and cleaned up so you can hear what's going on. Finally, we may have to complete certain tasks like identifying a face, license plate, distributing the video to the media or a patrol unit; that sort of thing.

NJ: What would be one of your most common or typical objectives when you're looking at a video from a crime scene? What do you normally have to determine?

JH: We mainly focus on identification of an individual or an object; you know, did subject A do this? Is this subject A? Does the person in the video or the image match the person that we think did it? Or can we get a license plate? Or if we can't see the person's face, is there anything identifiable about the person or the object that we can get out there to the public, whether through the media or crime bulletins internal?

NJ: You've been significantly involved in many projects - including a book and a website - devoted to Adobe's Photoshop program. How did you begin working with the program, and what makes Photoshop and other digital photo applications so valuable and widely used as forensic tools?

Continue reading: Catching Criminals with Photoshop?


by Nathaniel Janis
Source: Catching Criminals with Photoshop?
image: Stinky Journalism




Sunday, November 2, 2008

Obama and Coal: Obama Policies Will Bankrupt Coal



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Obama on Coal Power:

"So if somebody wants to build a coal-powered plant, they can. It's just that it will bankrupt them."







PJ Gladnick has performed a public service by uncovering the audio of an Obama interview with the SF Chronicle from earlier this year.

The transcript of the audio portion of the video below. (Courtesy of NewsBusters: Hidden Audio: Obama Tells SF Chronicle He Will Bankrupt Coal Industry)


Let me sort of describe my overall policy.

What I've said is that we would put a cap and trade system in place that is as aggressive, if not more aggressive, than anybody else's out there.

I was the first to call for a 100% auction on the cap and trade system, which means that every unit of carbon or greenhouse gases emitted would be charged to the polluter. That will create a market in which whatever technologies are out there that are being presented, whatever power plants that are being built, that they would have to meet the rigors of that market and the ratcheted down caps that are being placed, imposed every year.

So if somebody wants to build a coal-powered plant, they can; it's just that it will bankrupt them because they're going to be charged a huge sum for all that greenhouse gas that's being emitted.

That will also generate billions of dollars that we can invest in solar, wind, biodiesel and other alternative energy approaches.

The only thing I've said with respect to coal, I haven't been some coal booster. What I have said is that for us to take coal off the table as a (sic) ideological matter as opposed to saying if technology allows us to use coal in a clean way, we should pursue it.

So if somebody wants to build a coal-powered plant, they can.

It's just that it will bankrupt them.


The union bosses at the UMWA have endorsed Obama. But the union bosses will always be the last to go. After the last coal miner is laid off, their union representatives can get jobs as lobbyists.





Former coal miners will not be so lucky as their bosses. It's supposed that not all coal miners will be laid off, though. China will still need coal; some of it will come from the United States.

The Obama campaign has responded with the regular: Obama's quote is taken out of context. It's the same initial response the campaign had to the airing of Rev. Jeremiah Wright's sermons during the Democratic primaries.

Initially, the campaign said the Wright quotes were "taken out of context". When that position no longer became tenable, then Obama threw Rev. Wright under his famous bus.

The reader can listen, read and then decide for himself if the Senator from Illinois has been "taken out of context".

Gladnick's observation about this hidden portion of the SF Chronicle interview?

"Way to cover up for The One, SF Chronicle!"




by Mondo Frazier
image: tammi





Tuesday, October 14, 2008

McCain Interview: McCain to Raise Obama-Ayers in Third Debate



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Obama and His Bill Ayers Connection
McCain Interview: Doesn’t Give a Damn About Bill Ayers

Bob McCarty Writes






Mark Reardon, host of The Mark Reardon Show on St. Louis radio station KMOX-AM 1120, interviewed John McCain yesterday and got quite a statement out of the Republican Party presidential nominee regarding Barack Obama and his relationship with unrepentant domestic terrorist Bill Ayers.

Asked whether he would make the relationship an issue during the third and final presidential debate at Hofstra University Wednesday evening, McCain virtually assured Reardon he would before explaining his reasoning:

"It's not that I give a damn about some old washed-up terrorist and his terrorist wife who in 2001 said they wished they had bombed more. What I care about — and what the American people care about — is whether he is being truthful with the American people."

It's a great interview. To listen to the entire interview, click here and then select "Mark Reardon (10/13/08) John McCain" from the podcast lineup on the right side of The Mark Reardon Show web site.



WANT More Bob McCarty, "The Ultimate Blogging Machine"? Try these recent posts:

* Obama ‘Tax Calculator’ Attempts to Deceive Voters
* Poll: Would You Trust Obamas With Your Children?





ALSO at DBKP:
* Obama, Bill Ayers: CNN Reports Obama-Ayers Connection Went Deeper
* Obama Addresses Relationship with Bill Ayers, former Weather Underground Terrorist, on Philadelphia Radio Talk Show
* Obama Video Shows Pattern Of Socialist Lingo, Socialist Ties
* Barack Obama, Bill Ayers: NY Times Continues to Whitewash Obama-Ayers Connection
* Obama, Bill Ayers, and FactCheck.Org: All Have Ties To Annenberg Foundation
* Obama, Bill Ayers: Mainstream Media Explain Away Obama Ties to Terrorists
* Obama, Bill Ayers: N. Vietnam Awarded Ayers Ring Made from Downed US Plane
* Bill Ayers, Obama: No Mainstream Media Interest in The Obama Bunch
* Obama, Domestic Terrorist Bill Ayers: The ‘Tangential’ Bill Ayers
* Obama’s Ties to 1970’s Domestic Terrorist Bill Ayers: Disassociation and Little Condemnation




by Bob McCarty
image: dbkp file
Source: McCain Doesn't Give a Damn About Bill Ayers



Tuesday, October 7, 2008

Illegal Immigration Video: Peter Brimelow Interview



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Video Interview: Peter Brimelow
Alien Nation author on illegal immigration







Blogs4Borders has a three-part interview with Peter Brimelow as its weekly video blogburst. Each part is 9-10 minutes, so you may want to bookmark it to continue at your leisure--if readers are short of time.

Peter Brimelow (born 1947) is a British American financial journalist, author, and founder of VDARE. Brimelow has been the editor of many publications, including Forbes, the Financial Post, and National Review. Outside financial circles, he is best known for his writings on immigration policy and hosting the anti-immigration website VDARE.com. Brimelow founded the Center for American Unity in 1999 and served as its first president, though he is no longer affiliated with the organization. He is a paleoconservative.
Peter Brimelow


From Blogs4Borders:

This week’s edition is a 3-part interview with Peter Brimelow. Jake had the chance to sit down with the Alien Nation author and editor of V-DARE in Chicago last week.

Peter was in town for a debate against open borders fan Jacob Hornberger at the Heartland Institute’s annual fundraising dinner. We’ll have video of that event up later this week.




Part 1





Part 2





Part 3





by Mondo
image: Amazon



Saturday, September 13, 2008

MTV: Sarah Palin's ABC Interview Creatively Reported



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MTV: Still misleading young Americans


MTV should get an award for the brazenness of its misleading coverage of Governor Palin's interview with Charlie Gibson. Picking up the left wing blogosphere's Palin as "advocate for war with Russia" meme and running with it, they characterized her her view on the Russia/Georgia conflict in a single, simplistic line:
Palin also discussed her views on foreign policy, saying that if Russia invades the neighboring country of Georgia, the United States might have to go to war with them.
It's like MTV isn't even trying. Of course, we know that Palin was talking about Georgia's entry into NATO, and when pressed by Gibson, she properly explained the nature of a military alliance. But I guess MTV assumes "the kids" are too stupid to handle nuances like context and details, especially when they're attempting to characterize the Republican candidate as a warmonger.

If you'll remember, this is not the first time MTV has done this. In '04, MTV was amongst the media outlets pushing the idea that the draft would return if Bush won re-election. MTV apparently doesn't think it's done its job unless it convinces impressionable kids that they're on the verge of being thrown into a meat grinder.

But MTV's biasfest 2008 didn't stop there. No, they went on to parrot lib talking points about the so called "scandalous" prayer Palin gave:
The candidate also took some time to clear up a comment she made at an Alaska church in which she called the war in Iraq "a task from God." "I would never presume to know God's will or to speak God's words," she said. "But what Abraham Lincoln had said — and that's a repeat in my comments — was let us not pray that God is on our side in a war or any other time, but let us pray that we are on God's side."
Notice that MTV takes literally 4 words from to make it seem as if Governor Palin considers Iraq to be some sort of crusade in the name of God. Once again, the prayer in full:
Pray for our military men and women who are striving to do what is right. Also, for this country, that our leaders, our national leaders, are sending [U.S. soldiers] out on a task that is from God. That's what we have to make sure that we're praying for, that there is a plan and that that plan is God's plan."
This prayer is not something that would even require any "clearing up", or further explanation if they would just stop misquoting it. But what are we supposed to expect from MTV, who for years haven't been able to hide their bias. They're just another cog in the liberal broadcast media machine; MSNBC jr if you will.


Screw them, Fuse is better anyway.

by Rizzuto

Conservative Punk
Source: MTV; Still misleading young Americans
image: wired; dbkp